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www.liveartmagazine.com
- Update
# 6. 25.11.2003 |
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Today on the liveartmagazine home page, you will find the following selection from the hundreds of previews, listings, news items, reviews, resources and network member pages held on our web site. Please visit to search for events in your area, images, a chance to discuss issues with students, academics and live artists worldwide, calls for proposals, funding opportunities, and links to artists, archives, magazines, funding and support agencies and a whole lot more!! FREE FREE
For more
information contact Nicola on 0115 840 8930 FOR ALL OF YOU THAT ENJOYED CUNNILINGUS – HERE IS AN EXTRACT FROM AN INTERVIEW WITH THE YOUNG-HAE CHANG HEAVY INDUSTRIES… From an interview with Thom Swiss at: www.uiowa.edu/~iareview/tirweb/feature/younghae/interview.html "DISTANCE, HOMELESSNESS, ANONYMITY, AND INSIGNIFICANCE": AN INTERVIEW WITH YOUNG-HAE CHANG HEAVY INDUSTRIES TS: Can you talk a bit about historical influences? YHCHI: Well, we are writing in three different languages, English, Korean, and French. (We collaborate with others when it comes to other languages.) Each one comes with a full baggage of history and culture. Language is the essence of the Internet, the real gateway to using the Web. To write, read, and chat in English on the Internet is to implicitly justify a certain history. Certain governments don't ban or burn books anymore, they prevent access to the Web, meaning they justify a different history than the one we do by using English. So our choice of language is probably the biggest historical influence on our work. TS: How about specific literary influences--or art and artists--how do they figure into your work? YHCHI: Well, DAKOTA, for example, is based on a close reading of Ezra Pound's Cantos I and first part of II. Of course, you don't need to know this to enjoy the piece. Other cultural influences on our work are Marcel Duchamp, who one day decided to stop painting, saying he was tired of getting his hands dirty; Roy Lichtenstein, who found a simple artistic vocabulary, and stuck to it; and Andy Warhol, who, more than the Chinese government ever could, succeeded with his Mao portraits in putting a certain face on China. See DAKOTA
at: Also on www.liveartmagazine TODAY…….. reviews AN EXETER
MIS-GUIDE REVIEW - WRIGHTS AND SITES CLASS OF
'76 photo preview Mark McGowan Annette Foster,
Sam Rose and Kerryn Wise Walker Dance
and Park Music DEVIL DADDY news FILE ELECTRONIC
LANGUAGE INTERNATIONAL FESTIVAL Launches its 2003 edition book bilingual
: "NOVAS MÍDIAS/NEW MEDIAS" CALL FOR
WILD ARTISTS ARANEUM JURY
ANNOUNCED NEW GALLERY’
FOR BIRMINGHAM! DIRECTOR:
PERFORMING ARTS (REF: NWO03) NORTH WEST (MANCHESTER)
http://www.smalltime.com/dada.html http://www.radioqualia.net/replay http://www.artifact.ac.uk/ http://www.post-operative.org
RIGHT ON performative
installation # 2; small talk Sat 1 Nov
- -Sun 11 Jan Fri 7 Nov
- -Sun 4 Jan Thu 13 Nov
- -Sun 30 Nov Charade:
Shooting Live Artists 02/03 INVISIBLE
FORCE FIELD EXPERIMENTS Going South CROON FLIGHT AND
MYTH 1000 CLEMENTINES Sun 23 Nov
- -Sun 30 Nov And many more……. po box 501
nottingham ng3 5lt Please circulate this email to any individual, organisation or list you think would be interested. Subscribe
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