Klarita Pandolfi

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BloodyMary installation(detail).jpg
BloodyMary installation(detail)

 

Dead-flower(digital-drawing.jpg
Dead-flower(digital-drawing

 

First-Love(detail).jpg
First-Love(detail)

 

First-Love-insallation(deta.jpg
First-Love-insallation(deta

 

La-Pieta'-2003(C-Type-photo.jpg
La-Pieta'-2003(C-Type-photo

 

 

purplejpg.jpg
purplejpg

 

Self-portraits-as-a-victime.jpg
Self-portraits-as-a-victime

 

The-Doubt(acrylic+mixed-med.jpg
The-Doubt(acrylic+mixed-med

 

Violets-Womb(digital-drawin.jpg
Violets-Womb(digital-drawin

 

As-Above-So-Below(digital-p.jpg
As-Above-So-Below(digital-p

 

Blood-Mary(digital-drawing).jpg
Blood-Mary(digital-drawing)

 

Artist Statement:
Quite a few years ago I studied Sculpture at the Academia of Belle Arti of Rome, before diversifying into acting with 3 years studies at the Pietro Sharoff Drama School. My early performance pieces included Tableaux Vivants where concepts of Italy and its tradition were explored, in particular the cultures of the Italian Renaissance and Baroque. Since moving to England in 1997 I have started to focus on sculpture and collage, and most recently photography, digital drawings and installations. I explore with my work notion of faith, belief and disbelief, through symbols representing good and evil. Taking the philosophy of Manicheism as inspiration for my projects, I intend to examine issues of psychology, relationships and discrimination against women. In a visual sense this is achieved using ready-made objects such as Barbie dolls and Rosary beads, hand made pieces or digitally manipulated images, attempting to create an unsettling sense of collision in proximity between traditional and new.

 

Klarita Pandolfi

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